B.B. King Entertainer of the Year • Louisiana Music Hall of Famer

I Hear Thunder marks the long-awaited return of four-time Grammy-nominated artist Tab Benoit. Renowned for his distinctive guitar tone and Otis-Redding-esque voice, Benoit has been a captivating figure in the roots music world for over thirty years. 

Tab's personal growth and advancement as a songwriter and musician have culminated in a benchmark recording. His new self-produced album, I Hear Thunder, for his imprint, Whiskey Bayou Records, is a testament to his fiery exuberance that first marked his career in 1992. The record not only showcases his artistic brilliance but also his profound commitment to environmental advocacy, a legacy that extends beyond the stage into the heart of the land that inspires his bluesy soul. 

On Benoit's forthcoming national tour, fans will be delighted to hear the new songs and selected tracks from his vast catalog. Benoit does more than play the blues; he defines its future while paying homage to its rich past.

Jesse Dayton isn’t just an unsung hero of modern-day American music; he’s a towering figure in the realm of Outlaw Country, a master storyteller who effortlessly blurs the boundaries between genres and disciplines. With a career spanning multiple decades, Dayton has left an indelible mark as a chart-topping songwriter, guitar virtuoso, author, frontman, sideman, producer, and relentless road warrior. From his early days with the Road Kings, where he fearlessly melded Texas Rockabilly and Country with the raw energy of Punk Rock, Dayton has been a trailblazer. His innovative style not only earned him acclaim but also paved the way for collaborations with legends like Johnny Cash, Waylon Jennings, and Kris Kristofferson. Over the years, Dayton’s collaborations have spanned a diverse array of artists, from blues sensation Samantha Fish—his partner on the Grammy-nominated Death Wish Blues—to icons of country like Willie Nelson and Glenn Campbell, rock rebels such as Guns ‘N Roses’ Duff McKagan and Glenn Danzig, and even visionary horror filmmakers like Rob Zombie. Yet amidst this vast spectrum of work, Dayton’s solo albums stand as a testament to his refusal to be confined by genre, earning him recognition as a roots-rock renaissance man.